桐城派為清代文學流派大宗，歷來多視桐城初祖方苞創立文論而不工詩，詩
論則須至姚鼐及弟子方東樹始有發展。然而，與方苞皆屬桐城派初期的族弟方世
舉、方貞觀即以詩名世，又各自撰有詩話收錄於《清詩話續編》。其中，方世舉
結合桐城原有的尊杜思想一併推舉韓詩，先行於後來的桐城詩學。只是目前對方
世舉的討論較少，亦未見有專文涉及其具體宗杜、韓之脈絡與背後成因，乃至對
桐城詩學的影響都還有探究空間。
本文根據方世舉《蘭叢詩話》及其相關詩學著作，透過文本爬梳和比對可
知，方世舉基於尊唐尊杜之核心思維，藉由並論杜、韓二家之新創，提升韓愈之
詩壇定位，更連帶關注孟郊、盧仝、李賀等獨特的奇險詩人。至於方世舉詩論之
形成，早在童蒙即受桐城方家詩法宗杜的薰陶，不過相較同輩族人僅提倡尊杜
觀，方世舉則因個別受業於清初大儒朱彝尊，加以當時正值中、晚唐及宋詩之熱
潮等，使方世舉在尊杜之餘，亦注意到韓愈與奇險派之價值。此外，方世舉宗尚
杜、韓二家，在提點學杜路徑、高舉杜、韓五古與絕句等具體面向上，均可謂開
桐城詩學師法之先。是以透過本文研究，應有助於補充桐城派初期之詩學觀，進

而窺見其建立成因及與桐城後學之關聯。

The Tongcheng School represents a major literary movement in Qing Dynasty
literature. Traditionally, it has been viewed that the founder, Fang Bao, focused on
establishing theories of prose rather than excelling in poetry. Contemporaries of
Fang Bao, Fang Shiju gained renown for his poetry and authored treatises included
in Continuation of Qing Poetry Discussions. Fang Shiju integrated the venerable
reverence for Du Fu with Han Yu's poetry, pioneering the early admiration for both
Du Fu and Han Yu in Tongcheng poetics. Currently, there is limited discourse on
them.
Based on Fang Shiju’s Lan Cong Discussions on Poetry and related works, it
is evident through textual analysis that Fang Shiju’s core ideology was rooted in
venerating the Tang poetry and Du Fu. He elevated their position the Du Fu and
Han Yu, and also took interest in Meng Jiao, Lu Tong, and Li He due to Han Yu’s
influence. Fang Shiju’s formation was shaped during his youth, and influenced by
the times and environment. Fang Shiju also valued Han Yu, influenced in part by

the teachings of Zhu Yizun. Furthermore, Fang Shiju’s emphasis on the Du Fu and
Han Yu, elevating the five ancient poets and regulated verse, establishes him as a
pioneer in shaping Tongcheng poetics. Thus, we could understand more of the early
Tongcheng School’s poetic and the connections with the later poetics.