李卓吾是個充滿爭議性的人物，自晚明至今，在不同時代有著不同的評價與
關注度。本文從接受史的角度，依據時代、學術範疇，爬梳李卓吾如何被討論，
並說明這些現象與其意義。借用童慶炳對「文學經典建構」的要素，檢視不同時
代的意識形態、時代的接受視野與發現人對典範建立的關鍵影響。並藉由此觀
點，反省「童心說」與「性靈」、「至情」間的系譜關係，如何成為小說、戲曲
領域中典範化的地位。

Li Zhuowu is a controversial figure. From the late Ming Dynasty to the
present, he has received different evaluations and attention in different eras. From
the perspective of reception history, this article summarizes how Li Zhuowu was
discussed based on the era and academic categories, and explains these phenomena
and their significance. Borrowing Tong Qingbing's elements of “literary classic
construction”, we examine the ideologies of diff erent eras, the acceptance vision of
the era, and discover the key infl uence of people on the establishment of paradigms.
And from this point of view, we refl ect on how the genealogical relationship between
“childlike innocence”, “spirituality” and “emotion” has become a paradigm in the
fi elds of novels and dramas.