筆耕不輟的李喬（1934-）於二〇一〇年代先後出版《草木恩情》（2016）、《游行飛三友記》（2017）散文集，以草木動物之生態物種為映照自我生命經歷的出口，呈現超越人本主觀的環境意識與記憶感知。其筆觸涉及物我自然間關係變化的反思，結合個人經驗、家族史記憶與臺灣生態以完成一部懺悔錄式傳記文本；研究步驟上，鑑於二作皆構築於人我對自然生命調節和互動之生態倫理觀察，本文就此視景框架探究李喬所寄寓的個人感懷與文明省思；再者，討論以生態敘事臨摹個體生命經驗的記憶書寫，勾勒作者暮年所展現的懷舊情緒與重構家族史過往的主體意識。透過《草木恩情》、《游行飛三友記》的敘事框架和寫作策略，一則由生態倫理的特殊角度呈示作家的自我譬況、地方意識，以及反對「以人為中心」的意識批判；一則顯現定著於臺灣在地生活中風土地理、歷史文化與常民記憶的生命景觀。

During the 2010s, Lee Chiao(1934-), an author with extensive writing experience, published two essay collections titled Blessings of Nature (2016) and Three Friends of Land, Sea, and Air (2017). In both collections, Lee used various species of plants and animals as outlets to refl ect on his life experience and transcend the environmental consciousness and memory perception dimensions of subjective humanism. The author wrote his own “Confessions” that presents his personal refl ections of the changes in the relationship between human and natural environment and includes his personal experience, memories of his family history, and details on Taiwan’s ecosystem. Because both collections focus on the author’s observations of ecological ethics, including the moderation and management of natural life, the research process of this study adopted the same perspective to explore Lee’s personal recollections and refl ections on civilization in the literature. Subsequently, this study explored how the ecological narrative is applied to present Lee’s life experiences based on his memories and to portray his nostalgic emotions and subjective consciousness to reconstruct his family history in his later years. Through the narrative framework and writing strategies used in both collections, Lee employed an ecological ethics-based approach to present his personal reflections, advocate for local awareness, and offer ethical criticism of humanism. Accordingly, these essay collections refl ect the author’s life observations of the natural environment, historical culture, and folk memories of Taiwan.