東漢王延壽〈魯靈光殿賦〉賦頌的宮殿營造，乃是一足以體現宇宙創生過程的空間結構。他自踏入靈光便歸返至渾沌幽冥的宇宙創生之初，並接連見證天地開闢以及人文始建等創制偉業，而漢家的功績與德音也在兩漢氣化宇宙論的圖示裡重獲定位。本文將透過〈靈光〉以「渾沌—天文—人文」三階段所組成的宇宙創生變化，梳理王延壽是如何將兩漢氣化宇宙論透過出入靈光殿的觀覽經歷，在賦頌宮殿空間的同時昭顯兩漢人文創制的美盛。最後，我們將得證在王延壽眼中，此能夠超越人事興廢並和六藝一爭高下的靈光殿，代表著匯通天、人空間的天道意志，對漢儒而言此乃一切人文制作得以受「神明依憑」始終永垂不朽的理想目標。

The palace construction praised in Wang Yanshou’s “Lu Ling Guang Dian Fu” is a spatial structure that displays the creative process of universe. From stepping into the palace, Wang witnessed the chaos and the beginning of humanities. In the mean times, the achievements and reputation of Han dynasty were repositioned in the cosmology of qi. Based on the three stages of the creation of the universe “chaosastronomy–humanities”, as mentioned in “Lu Ling Guang Dian Fu”, this article organizes Wang’s touring experiences and discusses how the great cause of Han dynasty was formed by the palace building of praise. Finally, this article verifi es that Ling Guang Dian, which transcends the vicissitudes of civilization and is comparable to Liu Yi, because it represents the will of Dao and blessed by deities. To Han Confucianism, this is the ultimate ideal for all human creation.