本文扣合宋初的時代背景，檢視主題重心的移易及寫作手法的開拓，發掘宋初邊塞詩的特質，主要共有兩個方向。第一，以主題而言，宋初邊塞詩已具有表現平和靜定風格為主的作品，創作者的視角轉向邊塞的其它方向，排除戰亂與羈旅，邊塞的自然風貌也有重新被創作者審視的可能。此外，部分的作品，創作者在詩的敘述中佔據話語權，展現我族優於異族的意識，最終至衍伸成使北詩華夷優劣的偏執。第二，就寫作手法來說，詩的形象思維成分降低，議論性及紀實性的表現開始出現，融入類近散文的表達方式，這與後來宋詩以議論為詩，以及使金詩中專以紀錄見聞為表達的手法，或能相互呼應，連接成相續的脈絡。顯示宋初邊塞詩包含了相對多元的可能性存在，許多後來在宋詩中成為主流的詩學風格，在宋初邊塞詩中已經可以略見端倪。

This article deduces the background of the Song Dynasty, examines the theme of the shift of the focus and the development of writing techniques, to explore the characteristics of frontier fortress poetry in Song Dynasty, there are two main directions. First, in terms of theme, the poems on the frontier fortifications in Song Dynasty have been mainly works in the style of expressing calm and static style. The creators’ perspective has shifted to the other directions of the frontier. Excluding war and escort, the frontier’s natural landscape has been re- Creator may examine the possibility. In addition, in other works, creators occupy the right of cultural discourse in the narration of the poem and show the superiority of my tribe to the alien ones. Eventually, the creators’ paranoia is extended to make the poem the pros and cons of North China. Second, as far as the writing technique is concerned, the composition of poetry thinking is reduced, and the performance of argumentative and documentary realism begins to emerge, which integrates the expression of similar prose, which is closely related to the later poems of Song poetry, Good news for the expression of tactics, or can echo each other, connected into a continuous context. It shows that the frontier poetry in the early Song Dynasty contained the possibility of relative pluralism. Many of the later poetic styles that became the mainstream in the Song poetry can be seen slightly in the frontier poetry of the early Song Dynasty.