本文以中法戰爭期間閩、臺戰事為背景，探究值此內憂外患的時代，蓬勃發展的詩史與詞史，如何書寫與評價戰爭史事，為有效結合歷史背景與文學書寫的論述，擬從「文化記憶」的理論切入，同時結合「新歷史主義」的觀點，以尋求歷史場域裡屬於「詩史」與「詞史」作品更多元的詮釋空間及更豐富的內在意涵。為集中焦點以求深入解析具體作品，故擬以晚清張景祁為研究對象，以其詩詞因書寫馬尾海戰與臺灣戰場而被推為「詩史」與「詞史」，適足以為研究範式。通過本文之研究，期能為這段史事尋繹可能存在的一種自覺的文化活動，亦即通過張景祁「詩史」與「詞史」的敘述視角及歷史評價，填補並修復那些遠去的歷史場景，使消逝的事件以相對完整的面貌呈現世人面前，並發掘深藏其中的文化意義。

The Sino-French War in Foochow and Taiwan is taken as the background of the current study to explore the emergent “historical poetry” and “historical Ci,” which document and evaluate the history of a war, in this era of having unrest inside and outside the country. In order to effectively combine historical background and literary writing, cultural memory and New Historicism are used as the starting point of our investigation to seek more diversified interpretations and richer implications of the works of “historical poetry” and “historical Ci.” This paper focuses on the in-depth analyses of Zhang Jingqi’s specific works in the late Qing Dynasty. His works were regarded as “historical poetry” and “historical Ci” because of the documents of the Battle of Foochow in the Sino-French War and the chronicles of Taiwan. Therefore, his works illustrate a good example of such studies.Through the current study, it is hoped that for the historical event of the SinoFrench War, a possible conscious cultural activity can be found. That is, through Zhang Jingqi’s narrative perspectives and historical evaluations in his “historical poetry” and “historical Ci,” those distant historical scenes can be restored to unveil disappearing events to the world, and the cultural significance hidden in them can be discovered.