〈述書賦〉與〈述書賦語例字格〉是唐代竇臮、竇蒙的書學著作，〈述書賦語例字格〉大部分是對〈述書賦〉提到的審美或品評詞彙，所作的定義與解讀，其中往往帶有作者自身主觀的體驗與感發。〈述書賦〉與〈述書賦語例字格〉二者共同形成一個獨特的審美範疇，其中所涉及的審美思維相當多元，但主要離不開對「自然」的崇尚。本文從〈述書賦語例字格〉的審美範疇談起，分析其所收錄九十則詞條的屬性，雖然作者對這些品評用的字詞作出了定義，但是同一字詞在〈述書賦〉所呈現的不同語境下，也會有不同理解。因此本文的主軸，便是分析〈述書賦〉中常見的用語，以「神」、「逸」、「任」、「忘情」、「古」等概念為例，並將詮釋這些用語之間的關係以及其所對應的審美性質。

Shu-Shu Fu (also known as “The Calligraphy Narration Rhapsody”) and Shu-Shu Fu Yu-Li Zi-Ge (meant as “The Language Convention and Word Format in Calligraphy Narration Rhapsody”) were written by Dou Ji and Dou Meng in Tang Dynasty (618A.D.-907A.D.), the literature which related to calligraphy. Most of them in Shu-Shu Fu YuLi Zi-Ge are the definition and interpretation of the aesthetic or appraisal vocabulary that mentioned in Shu-Shu Fu, which involved writer’s own subjective experience and sensation.
This article mainly starts from the scope of aesthetic in the Shu-Shu Fu Yu-Li Zi-Ge, to analyse the content of ninety words and them bring out different understandings in different language contexts. Therefore, the highlight of this study is to analyse the common terms in Shu-Shu Fu, by the two parts of “nature-centered aesthetic thinking” and continue to describe each single concepts.